Only in China: entire city skyline syncing up for a free epic light show — every weekend. Who else could pull this off? 📍 Shenzhen, China Can’t tell you what I shot on yet 😉
Tibetan foxes, wild yaks, and moments hiding in plain sight. Same landscape, different perspective — that’s the power of seeing through a long lens. #photography #tibet
POV: You came to China to check if US tariffs ended the economy. Shot a few hours ago, May 1 (China’s Labour Day). 📍Shenzhen China. Futian district. #shotoniphone #cyberpunk #china
FREE ACCESS: head to the Asakusa Culture tourist information oor) to level 7. You’ll find a couple of holes on the metal fence opposite the exit door. It’s a hidden gem, so keep an eye out for it! Shot on Canon R5.
Which photo is your favourite? Shot on Canon R5 + RF70-200mm Edited in Lightroom with Yantastic Presets #photography #shotoniphone #japan #whatiseevswhatitake
Tibet through my eyes and my lens. 1-4 Which photo is your favourite? 1, 2 and 4 shot on Mavic 4 Pro 3 shot on Canon R5 RF70-200mm Edited with Yantastic Presets #photography
I took the new DJI Mavic 4 Pro on a 15-day journey across remote parts of Tibet — places so vast and untouched, you can go hours without seeing another person, or even an animal. The silence out there feels almost sacred. What made this trip different was flying with a tool that finally matches the scale of the landscape. The Mavic 4 Pro’s triple-lens system gave me creative freedom I’ve never had on a drone. The main 28mm Hasselblad camera with its 4/3" CMOS sensor delivers stunning 100MP stills and 6K/60fps HDR video with 16 stops of dynamic range — it’s cinematic in every sense. I used all three lenses throughout the trip, but the 166mm telephoto (6x zoom) became a favourite. Being able to isolate distant peaks or foreground subjects with that kind of compression completely elevated the way I shot these scenes. And the best part? All three lenses support D-Log and 4K/60 HDR — so the colour consistency across focal lengths was seamless in post. Also, the new RC Pro 2 remote changed the way I worked. The 7” Mini-LED, 2000 nits peak brightness screen rotates vertically, and when you pair that with the infinity gimbal’s 360° rotation, you’re suddenly shooting dynamic vertical content with full control — even in harsh sunlight.@DJI Official #mavic4pro #dji